Author: Gábor BaráthPage 7 of 7
Award winning photographer, writer and instructor. Written and translated number of books about photography. Teaching digital post processing techniques and alternative photography processes.
For those who don’t speak Hungarian, the sign say: Soviet Literature. This photograph was taken in Hungary in 2016, 25 years after the dissolution of USSR. Good paint,…
The default organization of the tools on tool tabs were pain in the ass for me, because I had to almost always switch tool tabs in between two…
Nadar was the pseudonym of Gaspard-Félix Tournachon (6 April 1820 – 23 March 1910),[1] a French photographer, caricaturist, journalist, novelist, and balloonist (or, more accurately, proponent of manned flight)… …and…
I know one for free, but you have to go and pick up. Here: As you may know, crew of the Apollo 11 used a few Hasselblad 500EI…
I’ve made experiments with Leica film and a Mamiya645 a few years ago but loading the film was pain in the ass. I had to roll the 35mm…
Did you ever wonder how could you create a TRI-X (or any other film) like photo from your digital image? There’s a couple of way you can do…
I’d like to wish happy birthday to my friend János Kovács with this little series of photos of his last show opening.
I borrowed the title from one of my personal favorite, Sally Man. Nearby us, there is little airport–called Farkashegy–was the cradle of Hungarian gliding. Here standed two V…
All started with an internet service interruption. First I talked to my wife (instead of Facebook messages), then I read a real book, and after that I decided…
In the last time I have been developed 23 high quality analogue style, based on real world film and filter characteristics and development types for Capture One 9…
I’ve searched my collection for a photo to show the possibilities of black and white fine art printing and I found these post apocalyptic images.
These wetplate collodion tintype was made with an old Voigtländer camera and a single ordinary flash on the inside of a Kodak Portra 160 canister.
Two digital prints of my wetplate collodion ambortypes are hanging on the wall at Szentes, Hungary on the show named Alföldi Fotószalon. I would like to thank the…
This photo is a real double exposure wetplate collodion ambrotype on clear glass. Two models, two strobes.
This experimental photo was taken on the last day of the camp with my fellow collodionists. I have mixed all the left-over collodion, shake them well (you shouldn’t…